What to hope for?

As I type this my twitter feed is ticking in front of me, telling me that the boat is surrounded, that the man thought to be one of the Boston marathon bombers, is about to be caught. They have him. He’s alive. The suspect is in custody.

My feed has gone quiet now. What next? What now do we hope will unfold?

In the rush of silence I think of all the horror and heroism of the past week. Of all the ways that people felt fragile and vulnerable and frightened. All of the ways people mentioned how grateful they felt for their loved ones, how tightly they held on to one another.

It has been a long week, we’re all looking for a silver lining.

It seems like a strange time to be celebrating, and yet, on Tuesday night I had a chance to do just that. I was lucky enough to get to be around a lot of people I love. I got to laugh with them, and hug them and thank them for all the ways they changed my life. On Tuesday, April 16th, I had the book launch for Out With It.

bookcourt

It was a night of hours that skidded by too fast. It was gilded, better than I could have ever imagined. There was a billboard in Times Square and a sold out bookstore. It was a night made memorable for all the right reasons.

FB - Crowd at BookCourt

Now, in the aftermath of everything, I think about all the outcomes that we look towards. In the face of disappointments and disasters, what kind of recovery do we hope for?

In the wake of celebration, what then do we hope will happen?

A small part of me gets to hope for big dreams, for Out With It to change the conversation around perfection and normalcy. A much bigger part of me just hopes that a few people read it. I wonder what people will think of it, what they will think of me.

In the aftermath of everything I feel immensely vulnerable. I feel fragile knowing that my book, this thing I looked at in the privacy of my home for almost 5 years, is now out in the world waiting to be judged.

I hope that people like it. I hope I don’t look like a fool. I hope that it does some good to as many people as possible. I hope that the joy I felt on Tuesday will carry me through whatever challenging times, and wonderful times, lie ahead. Looking around an apartment full of cards, and flowers and notes from people I love, I hope that I will always feel as grateful as I do tonight.

Gratitude

Next Big Thing Blog Hop

My blog this week is looking a wee bit different from normal because I’m taking part in something called the Next Big Thing blog hop.

Essentially writers across the world are invited to answer questions about what they’re working on so readers can discover new authors. This week, I’m it.

Last week I was “tagged” by Jennifer Miller, author of The Year of the Gadfly.  In her words, her book is about “a quirky teenage journalist and a microbiologist running from his past who investigate a secret society in their remote New England town. “ Sound intriguing? Check out there rest of her answers on her Facebook page.

Here is my Next Big Thing:

Out With ItWhat is the working title of your book?

My editor, my agent, my fiancé and I all sprouted a couple grey hairs coming up with the title. It took us months but finally we came up with Out With It: How Stuttering Helped Me Find My Voice.

Where did the idea come from?

When I left my job in London in September 2008 I wanted to immerse myself in stuttering, to meet other stutterers, researchers and therapists and finally face my biggest fear. Perhaps I even hoped that I would stumble on a cure. I decided that I would interview 100 people and then create a book of oral histories that would debunk all the misconceptions around stuttering. Gradually the book evolved into an investigative memoir. I held on to the voices of everyone I interviewed, but I made my life the structure that all our stories hung from.

What genre does your book fall under?

Creative non-fiction, memoir, education, perhaps even self-help.

What is the one-sentence synopsis of your book? 

A vivid memoir of a young woman who fought for years to change who she was until she finally found her voice and learned to embrace her imperfection.

Will your book be self-published or represented by an agency?

My book will be published by the Atria division of Simon and Schuster on April 16th 2013.

How long did it take you to write the first draft of your manuscript?

I moved to America to start researching the book in October 2008. I started writing in late 2009 and handed in the first draft to my editor in January 2012. In short, a very long time!

What other books would you compare this story to within your genre?

This is the first memoir about stuttering written by a woman but it is similar to a vast number of books that deal honestly, humorously and poignantly with subjects that our society does not always like to confront. If you liked WILD, LIT, Look Me in the Eye or QUIET, hopefully you’ll like Out With It.

Who or what inspired you to write this book?

I wanted to change the conversation, to unearth something that had remained taboo for far too long, to stop hiding and encourage others to do the same.

What else about your book might pique the reader’s interest?

Although the book is about stuttering, it is really about all of us, about all of the ways we are scared and courageous and perfectly imperfect.

Be sure to check out Jennifer Miller and go to Leigh Stein’s blog at leighstein.tumblr.com to read their Blog Hop answers.

Memoir: Under Attack

memoir writing: we all have a story to tellOn New Year’s Eve Susan Shapiro, an author and college journalism teacher, wrote a piece for the New York Times’ Opinionator explaining that, over 20 years of teaching, her signature assignment has become the humiliation essay. It is her way of giving her students what they want, setting them on the path to publish essays and sell memoirs.

The piece sparked a host of debate, reigniting the well-worn argument that the personal essay is killing journalism. Punches were thrown across the web, insults typed and sides taken.

As someone who has a memoir coming out in 4 months, I read Hamilton Nolan’s Gawker response to Shapiro’s piece in a state of near numbness. My eyes stuck on the line that most people’s lives are not interesting enough for a memoir or personal essay and I gulped down his assertion that those writers who start by writing about themselves “end up like bands that used their entire lifetime’s worth of good material in their first album, and then sputtered uselessly when it came time for the follow-up.”

Used-up, finished, uninteresting – hardly a hopeful start to a writing career that has yet to hit the shelves.

And yet, it’s noise I’ve already heard, lines that have already played on repeat in my own head for years. Self-doubt is nothing new. I was never trained as a writer, barely trained as a journalist, and I never set out to write a memoir. I set out to listen to hundreds of stutterers and researchers and write something worthwhile. These people had stories, fascinating lives that made me sit forward in my seat and stay up all night transcribing their words. As I wrote their words down on paper I barely wove myself between the lines. But, in the end, I felt like I was hiding. I felt like I was asking everyone else to bare their souls while I sat safely nodding on the other side of the tape recorder.

So I kept their voices in the book but made my life the structure, made my life the line that all our stories hung from. But I was never aiming to humiliate myself, I wasn’t trying to make anyone feel sorry for me, for any of us. Rather, I was trying to unearth something that had remained taboo for far too long.

I was attempting to write in the memoir tradition of the writer’s I adored. Writers like Strayed, Karr, Walls and Flynn. Far from the inward-looking narcissists that Nolan dismisses so eagerly, these are people who write about themselves with humanity and who look outward to encompass the world we all live in. As Stephen Elliot puts it, they are the type of writers who “inhale their surroundings.”

So perhaps we shouldn’t be shaming those people who write about themselves but rather all of us should hold ourselves to the highest standards in both our writing and our lives. If we can be thoughtful in all of that then, perhaps, we can rise to meet our collective potential.

Escaping the Silence: Stories from Out With It

It was 6 months into my year-long trip when I knew that I had been wrong, about a lot of things.

I was bumping along a dark New Mexican ridge with little idea where I was going, trying to remember my host’s quickly delivered instructions. The night had engulfed our Subaru station wagon and, with no reception on my phone, the blinking ‘check engine’ light looked more menacing than it had before.

I was on my way back to the ranch we were staying in for the night, leaving my 70th interview. I was reluctantly driving away from a man who had warily invited me into his home to ask him questions about his life, about what it meant to him to be a stutterer. Our interview had started awkwardly, both of us sitting politely on either side of his sofa with my recorder lying conspicuously between us.

He was different from any of the other 69 interviews stored on my recorder. He was the first man I had met who had never seen another stutterer before, the first person who had barely spoken about his stutter to anyone. He and I edged around the loaded word for a while. He mentioned ‘that thing I do when I talk’ and I nodded. He smiled when he ‘did it again’, I asked him to carry on.

As the hours slipped by and the sun sank into the earth, he told me how he had questioned his faith, spending many years thinking he must be possessed by the devil. He remembered reading that people had cut the ligament underneath their tongue to ‘cure’ their stutter and he held the scissors there more times than he was proud to admit. In his thick Mexican accent, he told me how he had become a teacher despite all the people who had told him that he couldn’t, or shouldn’t. He told me how honored and scared he was that his church had asked him to travel with them as an interpreter when they went to work with prison inmates in Colombia.

Gradually he started to lean towards me, he began to sound proud of all he had achieved, and he asked if his wife could join us. He started to laugh and smile and, as I sat back on the sofa, he told her things that he had never dared mention before. His daughter bounded in and he explained who I was, explained that he was talking to me about his stutter. It was the first time he had mentioned the word to her, the first time he had ‘come out’ as a stutterer. She told him that was cool and started showing me her toys, unfazed by the relief that was painted across his face.

When he walked me out to my car, his rough, weather-beaten features were backlit by the light streaming out of their kitchen door and I could barely see his face. But I heard the crack in his voice as he reached out his hand to hold mine and say thank you. I said it back and hoped he could see how grateful I was.

As I flicked on my headlights and started to drive away, I realized that I was thanking him, thanking all of the people who had allowed themselves to be interviewed, for something much more personal than I had realized. I was thanking them for finding the courage to tell me their stories, but also for holding up a mirror and showing me far more of myself than I had ever expected.

Six months ago I had left my home in England to explore stuttering. I had wanted to find out who it happened to, the ways they handled their speech and why we all stuttered. I thought that once I knew the ‘why’, I was one step closer to a fix. Although I left England keen to immerse myself in stuttering, I was looking for answers. I was looking to make my stuttering neat and tidy. I wanted to sanitize it and put it in a box so I could push it away and move on with the rest of my life.

Sitting in my car I knew that I had been wrong. As I planned the next day of driving in my head, I was excited by the thought of each interview yet to come and I was humbled by the generosity of each interview behind me. I saw that stuttering had become a password and an equalizer. It had invited me into the homes of everyone from farmers to celebrities, and it had led an intensity and an honesty to each of my conversations. It had brought me more adventure, and had made me more fearless than I had ever imagined.

I heard stories of courage, determination, heartache and painfully funny stories of miscommunication, and I realized that I was not interested in distancing myself from these people, or this condition, any more. I didn’t want my life to be polished and sanitized. I didn’t want to hide my speech. I realized that I was proud of the imperfections I had, proud of the tribe I had been born into.

I wrote this piece for the International Stuttering Awareness Day conference. Check out their website for a host of brilliant articles and stories.

Judging a book by its cover

The book has a title. It is bold, intriguing and memorable. Now we just have to find a cover to match.

Cover designs are not at all easy to come up with. It seems like the best ones draw you in, they persuade you to start the journey and they convey the story’s essence. The most poignant and beautiful covers are pieces of art, they remind us why we still cling to ‘real’ books.

Our designer has been working on images for weeks now. Finally, I think we have a winner. It is something I’m proud to hold in my hand, a image that mirrors the story, a cover that I think I’d be drawn to on the book shelf. I’ll share it with you as soon as I get the final thumbs up from my editor but, in the meantime, here is a very subjective collection of some of my favourite covers to date. I love simple designs, strong colours, surprise, quirkiness and a design that tells me what to expect, what sort of a story I’m sitting down to read:

The Great Gatsby book covercatcher in the rye book covera clockwork orange book coverjaws book coverloneliness book coverThe Brief History Of The Dead coverzoo city cover

when_you_are_engulfed_in_flames cover

What about you? Do you have any favorite book covers?

Out With It and the Good Life Project

Filming the good life projectHave you ever had that dream where you walk down the road naked? Do you remember the moment you realize that everyone is staring at you in your birthday suit?

Now, imagine that it isn’t a dream. Imagine that, for a moment, the world gets to see you and all your bare humanity. How do you feel?

I feel petrified, or at least that’s how I felt as I stared at my laptop screen 5 days ago, in the wee hours of the morning. Jonathan had sent over advance access to the Good Life Project interview that would be aired in the morning, and I was watching the interview with headphones stuffed into my ears as Jeremy peacefully snored away in the other room.

In the morning, the video would be sent out to Jonathan’s tribe of avid fans and posted for the world to see on YouTube.

I had just gone very, very public with my stutter.

I had no idea how everyone would react. Would they hate it? Would my inbox be filled with vitriol? Would I be laughed at or criticized?

All the negative thoughts were chased by more hopeful ones. Would it comfort some people? Would it start to change the conversation about what is normal, about what it means to stutter? Would it inspire others to be fearless, to embrace whatever vulnerability they were dealing with?

I slept fitfully and woke up feeling hung-over, the image of my own face blocking, repeating and smiling etched into my mind’s eye.

By the time the interview was posted, I had readied myself for every bad reaction I could imagine.

And yet, in the past few days, my fears haven’t been realized. Not even close. Instead, I have been shocked by the messages I received full of nothing but support and gratitude. I have opened incredible emails and messages from strangers, from businessmen and mothers, from friends and people I barely know. I am still in awe of their kindness.

As one of them said, “I can’t imagine how hard it is to have something so personal so public. But I bet it is liberating!”

Liberating is a good word for it. Vulnerable and strong and never cowed. It was how I wanted people to see the book, the pieces that I had been struggling to express in the title.

Just before the video was posted, I heard from my editor. The publisher had given the thumbs up to our title: Out With It: How Stuttering Helped Me Find My Voice.

What do you think?

The agony and the ecstasy of choosing a book title

I think I may have sprouted a few grey hairs.

My editor had to hand in my final book title today. Our past two working titles had been thrown out, and a sudden deadline gave us only three days to come up with a great title.

You would think that it would be fun coming up with a book title. Or maybe you have more sense than me, and realize that distilling a book’s essence into a few carefully chosen words is not exactly a walk in the park.

I pictured myself being struck by inspiration whilst relaxing over a picnic in Prospect Park. Instead, my brain melted in New York’s tropical heat-wave and I drove myself slightly insane trying to dredge up an idea.

On Friday I made lists of titles as the AC buzzed next to my ear. Too vague, too passive, too literal. I threw them in the bin and started again.

I formed towers of non-fiction books around my desk for inspiration. Look Me in the Eye, The Glass Castle, How To Be A Woman, Me Talk Pretty One Day…

book titlesI liked strange titles, titles that surprised me in some way, titles that made me laugh. I left the house, attempted to go for a swim (every pool in Brooklyn required a 3 block sweaty wait and the promise of Lycra-clad hoards) and came home hotter and more disgruntled.

I looked at my tower of books again.

One word titles started to stand out. Some of them were too vague or too grand. But others were bold and memorable and perfectly concise.

LIT, MIDDLESEX, WILD, QUIET…

They stuck in my mind and followed me around all weekend. I thought about them as I danced to a funk concert, as I drove north of the city and as I watched Jeremy coaching little league.

My editor and I exchanged title ideas whenever we thought of something that we didn’t hate. Emails were shot back and forth and, finally, this morning, hours before the deadline, we decided on a title. At least, we think we did. It still needs to go through the hurdle of our publisher’s approval.

While I wait, I’m keen to hear what you think….

What makes a great book title? Do you love or hate one-word titles?

How do you get a book published?

There is no easy process from start to finish. Learning how to write well, practicing every day and then coming up with a great story is an amazing start but the rest of the journey gets a bit more murky and uncertain from there. The statistics aren’t cheery. Approximately 2% of books that are written every year get commercially published. The true figure may be even lower. Self-publishing is now a much more viable alternative but many people still want to go down the traditional path. And the traditional path generally means a shocking amount of rejection and false starts.

book writing

Have I scared you off? Hopefully not. 2% of people are published and there are definitely ways to make sure that you have the best chance possible. For the purposes of this piece I’m going to be speaking about non-fiction (from what I have heard about fiction it involves writing a brilliant novel and then going out and convincing an agent and editor that it would be worth their while to publish it).

Non-fiction requires more planning and strategy up front. It requires you to think like a marketer, to try and answer all the questions that some future editor might ask.

Sound like fun? Perhaps not, but writing is a job, and, just like anything else, there will always be parts that aren’t as wonderful as others. You need to create a professional looking proposal that tells agents and editors that you are serious, that you will help them to sell your book, that you are not sitting around waiting for them to do all the hard work. There are lots of things you should do and no ‘right’ way or going about this but your proposal should probably include:

  1. Cover Page
  2. Table of contents
  3. About the book (1 page summary)
  4. About the author
  5. About the market
  6. About the competition
  7. Production details
  8. About promotion
  9. Table of contents (title for each chapter of your book)
  10. Short summaries for each chapter
  11. 2 or 3 sample chapters

Your finished book may end up nothing like your proposal but it is a good start, a good path to start going down. Once you have a proposal you can create a succinct, polished query letter to send out to agents. Take your time over this – in many ways the query letter is the most important few paragraphs you have written so far. It has to grab their attention and get them hooked enough to ask for your entire proposal.

Give yourself an outrageous goal. For instance, I told myself that I wouldn’t stop sending my query out until 100 agents said no to me. Hopefully you won’t get anywhere close to that number but it is good to prepare yourself, to grow a carapace of sorts. Lots of agents will not be interested. Don’t let that stop you. Keep sending out your query letter, keep networking, keep telling everyone about your book. Be shameless at trying to get an agent because, as difficult as it is to land an agent, your chances are far better than going directly to the editor and having your work end up on the dreaded slush pile….the graveyard of unsolicited manuscripts.

Once you have a good agent you have someone who can take your manuscript to the ‘right’ publishing house and steer you through the pitfalls of the whole process. At the end of it all, once you have signed a contract with your agent and a publishing house, you can breath easy for a few hours. But only a few hours, because now you have to write the book that you sold to them so well. The fun is just beginning…

Book deal: An ode to Lady Luck

6 months ago I was despairing. I should have been celebrating. Jeremy and I had just launched www.ExchangeMyPhone.com, we were still high on paint fumes (having rolled 7 gallons of eggshell white all over our Brooklyn flat) and were paying our bills.

We had moved to New York with no jobs and no savings and we had survived our first winter. I was proud of us.

And yet my latest rejection from a literary agent was staining my desk. Memoirs were no longer vogue, she wrote. Stuttering wasn’t a subject that had mass appeal. Good luck elsewhere.

I added the last rejection letter to my pile. I knew what she was really saying. I couldn’t write. I couldn’t be an author. I’d never get a book deal. My dreams were foolish.

writing: good luckFortunately when Lady Luck thinks she has trampled on your soul enough times she decides to give you a break. Yesterday I danced around my office, drank a celebratory Manhattan and ate some amazing homemade pasta with friends. I had just received my signed contract from Simon and Schuster.

It took me three years to get my book deal. I’m not sure whether that is a long time or a short time. It felt long. It felt hopeless towards the end. When I left England in October 2008 to research my book I had no idea what a challenge I was setting myself up for.

Writing was no joy ride. I faced far too much rejection, mockingly blank pages, a year of horrendous work and a very sad looking bank account.

Is it worth it? Definitely. I met Jeremy, I met hundreds of people from all over the country, I travelled, I lived in Chicago, I moved to New York and finally, at the end of it all, I ended up with an amazing editor, a highly respected publisher and a lovely agent.

I still have a long way to go. I have to finish the writing, I have to prove myself to everyone who has put their trust in me, and I have to get the piecemeal manuscript on my laptop into a real life book. But, with this book deal, I’m one step further along than I was.

I have no advice, sadly. It seems like there is no one clear path. It is not like becoming a lawyer, or an accountant, or a banker. There’s no clear ladder to scramble up with a pot of gold at the end. You do it because you have to, because nothing else will do, because you have some latent faith that, at some point, maybe, you will see your dreams come true.

Out With It: My chameleon book

Out With It started off as a dream, a vague idea of finding myself in the voices of others. To face myself, to spend a year immersed in the subject I had spent a lifetime running away from.

As I started researching I got drawn into 100 lives across America. I spent a year as ‘the interviewer’. I listened to people’s lives, sat in their living rooms, drank their coffee and met their families. I became enchanted by each of them. What made them tick, where did they take their strength from, what worked for them, how did the rest of the world react to them?

I replayed their voices back as I transcribed their words, listened for the intonation in their voices. With my headphones on, blocking out the rest of the world, I was captivated by the variety of their stutterers, the specific cadence of each voice, their unique rhythm.

When I started writing Out With It I wanted to include all of the people I had met. Painfully I narrowed them down to a handful. My picks were neither the best nor the worst. They were just the ones I chose. The book that I wrote was a dedication to all 100 of them.

But it didn’t quite work. The characters didn’t stand out enough. The format of walking into someone’s home, or meeting in a coffee shop or even meeting on the street, started to sound repetitive. I was still hiding behind the stance of ‘the reporter’.

I had spent a year finding out about all these individuals. But, as different as we were, meeting each of them was like looking in a antique mirror. There were pieces where the reflection was dulled, where we didn’t reflect each other so clearly. But we had all worn the same shoes and any differences broadened my understanding, opening my eyes to pieces I hadn’t seen or known before.

What began as a book of oral histories morphed into a memoir. The writing was much more riddled with self-doubt and yet it was honest and vulnerable and I hopefed it would be compelling.

If I’m honest, I probably came to America searching for a cure. Not surprisingly that didn’t go so well but the book is about finding so much more than that. It is about the struggle we all make to accept ourselves as perfectly imperfect.

Struggle to write Out With It

Image courtesy of Don Moyer